這會造成什麼問題？首先日常的劇情本來就容易貧乏容易膩，而且篇幅多了很容易就會露出馬腳，要維持好笑、輕鬆的水準其實非常不容易，多則做作，少則無聊，重點是可能沒梗、重複或者太死板、不自然。比賽本來是一個很好的氛圍轉折點，節奏和日常相反，緊湊的環節能夠強迫集中吸引讀者的注意力，更別說原作本來就是籃球動畫，把角色擺在對的位置、對的環境，張力一定更強更飽滿。兩者之間本應相輔相成，但作者現在寫比賽的手法更像是減省了很多之後的轉播，還是超不專業的那種，xx使出了xx拉開比分了、xx竟然用了xx拉近了比分、xx最終還是不敵xx……嘖，這回合制，我是在看死神嗎？
You will discover many different types of advocacy strategies, and many might gain your nonprofit over others. As an example, companies can rally support as a result of grassroots advocacy, which consists of supporters getting action by themselves with direction from the nonprofit.
Śś Ṥṥ Ŝŝ Šš Ṧṧ S̈s̈ Ṡṡ Şş Ṣṣ Ṩṩ Șș S̩s̩ Ꞩꞩ Ꟊꟊ Ȿȿ Ʂʂ ᶊ ᵴ
最後是結局的部分，本來是想拉出來單獨講的，但想了想好像也沒什麼好講，乾脆就合併在這邊了。
再來是故事結構的問題。眾所周知黑籃就是一部「一群擁有超能力的少年一起打籃球」的故事，那麼對於「打籃球」這件事，自然是避無可避的一個要點，但作者偏偏就是避了。整部作品雖說走日常輕鬆搞笑風，然而主劇情的時間線還是照著原作走，因此原作有的比賽本作裡都有，然而作者基本上都是寥寥數語帶過。
How can advocacy companies complement the do the job of businesses on the ground which might be offering immediate aid and help?
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整理一下會發現引號內的對話可以分成「直接」與「間接」兩種性質，「直接」就是一般最常看到的「小明說：」、「小明哭著喊道：」，此時引號前就會用冒號；「間接」則是還沒說完，角色停頓做了動作或是特寫神態並接著說，此時引號前則是用逗號。
A rounded type appeared while in the Chalcidian alphabet, and from this it absolutely was taken into Latin. Etruscan experienced no rounded form, however it appears in Umbrian my response and Faliscan. In England from the 17th century a looped type was launched, and this is at times continue to seen in handwriting when followed by An additional s
groups do have Choices Within this regard. Through the Cambridge English Corpus My stage will not be which the occupation really should refrain from sturdy see this advocacy
在星塵大的心得裡也有提及這部分（雖然不是評這部），作者的回應是以她自己看同人作品的標準來說，把這些原作就有的畫面再寫一次會顯得很囉唆，沒什麼意義，同人作品就像是原作的補充，猶如課本與補充教材之間的關係一般，想知道詳細的內容去看原作就行了。姑且先不討論這個觀點是對是錯，但……
/ˈspeɪs ˌProfessionalʊb/ a small spacecraft, with not a soul travelling in it, despatched into Area to help make measurements and send again information to experts on the planet